Disclaimer to one particular reader: I made this site as part of my university project, but I also want to use this site for my own personal purposes. This post onwards, including this post, were created after the deadline and are not supposed to be part of that project.
Dreamt I was at my granddad’s (on my dad’s side) house with my family and the president of Argentina was dinner guest. He found out he was going to be executed and antichrist superstar by Marilyn Manson started playing on the radio so we chanted ‘Prick your finger it is done, the moon has now eclipsed the sun, the angel has spread its wings, the time has come for bitter things’ whilst pounding on the table with our cutlery whilst he had a mental breakdown.
I went to see a neon genesis Evangelion movie in a cinema with my mum. IT set last in the timeline and shinji has a normal life and is working a job at a dockyard/school for teaching swimming with my sibling and this drug dealer I met once. The movie felt short but was apparently about 2 hours long. The trailers played after the movie and one of them was made by cinemasins.
Then I was asked to playtest and review a generic first person shooter, and then I woke up.
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First dream I’ve had worth talking about in a long time.
I had gotten in trouble for something at university, and was required to stay in his sort of halfway house whilst I waited for my chewing-out. The residents of the house were Kazuichi Soda from Danganronpa 2 (we had a conversation at one point about how long he’d been wearing that jumpsuit for), Jonathan Byers from Stranger Things, and two manosphere alpha male influencers who I hate. I’d regularly attempt to aggravate the influencers by dressing in feminine clothing and arguing against their talking points.
One day, there’s a party going on in the house, and I’m talking to Kazuichi Soda. He asks if I need to go to the bathroom, to which I say ‘What for?’, to which he says ‘Uhhhh drugs.’ I follow him to the disabled toilet, and we open the door. We find Jonathan Byers sitting there, wrapping toilet paper around his hand, clearly stoned out of his mind, having hotboxed the small room. The two women who run the house, each a sort of mishmash of various female teachers I’ve had in the past (perhaps I should add them to a personal list of Jungian archetypes), came over, smelt the weed, and shut the party down.
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Post Apocalypses! I like em. Don’t like em as much as hell but they’re close to hell on Earth enough so I might as well talk about them. There’s two specific visions of the Post Apocalypse I’m most interested, a dry kind and a wet kind.
Wet Apocalypse: I ain’t talking Waterworld. My idea of a wet apocalypse is one where the sky is grey, rain is constant, everything is muck and cold swampland. Maybe it never stops raining, like the snow in Little Inferno. The ruins of civilisation would have to be concrete, as brutalist as Babbdi or Soviet architecture. The intent is a thoroughly grey colour scheme. Inspirations for this aesthetic: Hard to be a God (the movie), The Road, the Eternal War scenario from Civilisation 2, aesthetics of the First World War, general life in Britain.
Dry Apocalypse: The desert wasteland, following a nuclear war is a very common aesthetic for the post apocalypse. I think it can be done better. Think lonely houses on flat, barren desert plains like Salad Fingers or Courage the Cowardly Dog. Think no tribes of raiders or dangerous monsters, just people, maybe with birth defects, maybe mentally degraded, living in at most, small, isolated communities just trying to get by. Think the realistic effects of radiation poisoning. A world devoid mostly of plant or animal life, populated by a handful of humans just clinging on. A world on its way to return to the way it looked before the primordial soup. A quiet nuclear post apocalypse. There’s a lot of older British films with this sort of outlook, one even showing the destruction of my hometown, although they tended to show more the immediate after effects than the end. What I envision is the last flickers of life when the dust settles.
Fun fact about the nuclear wasteland aesthetic, the settings that are the poster children for it, Mad Max and Fallout, never really implied the desert was there due to the nuclear war, at least not at first. The world in Mad Max looks like that because it’s set in the Australian desert. The world in Fallout looks like that because it’s set in the California desert. However, over time, nuclear war became associated with deserts and now people believe that’s what the world would look like after one.
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What does hell look like in your imagination? Lake of fire? Symbolic and personalised to your sinful needs? Freezing? Maybe just a dark place where God can’t hear you like Sheol?
I’ve always been fascinated by hell as a concept. I grew up Catholic, so perhaps that’s natural, but it’s omnipresent throughout religion and culture in some form or another. Think of this as a manifesto, how I believe hell should be.
Concepts of my vision of Hell:
- Monsters. All the time, everywhere. There needs to be a big variety of them, to form different needs in torment. Big scary ones to hack you to pieces with an axe, flesh eating bugs to infest you, intelligent ones for more intimate torture. They should have their own interactions with each other, their own ecosystem bent towards torment.
- Built like a maze. Hell is a winding labyrinth, seemingly built underground. Tunnels and buildings, fortresses, dungeons, torture chambers. Imagine the Dungeon of Fear and Hunger. It should have different layers and different climates. Flooded areas with polluted water filled with leeches, areas with tight cave passages to torment claustrophobics, for instance. This way, torture is self-inflicted. When someone is sent to hell, their natural desire to wander introduces them into new and exciting forms of pain.
- Loneliness. Whilst you might meet another person in hell, they should be few and far between. It shouldn’t be crowded. Humans are social animals. Other humans are a lifeline.
- Artifice. Hell should feel part natural, part constructed, the stone of caverns twisted by human intellect towards torturous ends. Mechanical traps should be omnipresent. Hell should feel like it was built by humans, but only the most depraved of them. The Elizabeth Bathorys (Bathories?) and Issei Sagawas of the world. A true world gone twisted, where the truly depraved have built everything, and all life wants you specifically to suffer.
I have plans to make use of my vision of hell eventually. I’ve said if I ever become a hack I’d write rip-offs of Battle Royale (the death game, specifically Battle Royale format penetrates my pretentiousness and appeals to my lizard brain directly), and I have a concept for one of those set in hell. Maybe I’ll write chapters for it and post them here.
For my favourite depictions of hell, see: The Binding of Isaac, Demonophobia, Doom (the original games, where hell is darker and more atmospheric, as opposed to the new ones), Chainsaw Man (very different from my vision but still beautiful), Burning Up (Insane Clown Posse song), Tomino’s Hell (poem), Panorama of Hell (manga)
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Doctor Wolfenstein came over today and we did a photoshoot with my book collection. One lucky photo became the banner for this site. Had a lot of fun with it.
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‘Please lift up your right breast.’
Standing in front of me were three naked blonde women. At a momentary glance, they could’ve been a set of identical triplets. I knew better, however, and it was my job to. The three women lifted their right breasts in unison. As expected, there was a star-shaped mole right beneath it, three times in a row. These women all wanted to be the next big thing, or more accurately, they wanted to be the current big thing. The next version of it. They all wanted to be the next Aeran Isis, the world’s most successful pop star for the past one hundred and fifty-eight years running.
How does one stay the most successful pop star for a hundred-and-fifty-eight years? Very simple. When the old model can’t keep up with the job anymore or starts falling apart from the plastic surgery needed to keep them looking pristine, the company that owns her brand simply brings in the most dedicated lookalike superfans. We put them through a series of rigorous trials, judged by experts in the field such as yours truly. These girls in front of me were the last three of about two thousand who had signed up. This stage of the process was the last. My job was to know every minute detail of Aeran Isis’ body, the extremely trivial things no one would notice. For instance, I can tell you that this specific star-shaped mole on the underside of her right breast was only visible for one-hundred-and-thirty-five frames (shot at twenty four frames per second) of a sex tape (available at a pornographer near you for the low-low price of nineteen dollars ninety-five) between her and some R&B singer who’s supposedly famous, when he massages her chest, and lifts her breasts in much the same way these women are doing to themselves now.
‘Please present your fingerprints.’
They showed me their hands. Each had Aeran Isis’s exact fingerprint lasered onto them. Same palm lines, too. Usually, I can use these to predict which one will make it through, but these girls have been getting smart in the past few years. No detail left unchecked.
‘Hold up your hair.’
The original Aeran Isis was never a natural blonde. She was brunette but dyed her hair blonde. A little bird told me that all three of these girls were naturally blonde, but had their roots professionally dyed slightly brown to make it look bleached. They’d all done that.
And so the process went on for several hours. I measured their nipples. All came within the same tenth of a millimetre in diameter. Same colouration. I took a tape measure to everything that could be measured. I took a dental impression in a piece of rubber. Those teeth must’ve hurt to get installed. Nothing. No deviations in the slightest. Counted folds in their asshole. Nothing.
‘Meeting adjourned,’ I said, ‘Come back the same time tomorrow when I’ve got some more ideas.’
*****
The first of the three girls stopped me before I even got out of the building.
‘Hey,’ she said, ‘Surely there are lots of things you’d like to do to the real Aeran Isis, superfan.’
Like I hadn’t heard that one before. The only thing of note about this instance was the irony of her propositioning me fully clothed when I’d seen her naked about ten minutes ago. I ignored her.
‘Alright,’ she said, ‘I’ll see you later.’
I got in my car and drove home. I was pretty happy with my place, a well-furnished apartment in a good part of town. The judging job filled my monetary needs for a year over the course of just a few days, so I had all the time in the world to become a leading expert on the specifics of Aeran Isis. I was always trying to find something that the candidates for Aeran Isis couldn’t get adjusted to fit, so I had a book open on my desk about the subtleties of hair follicle and pore placement. I’d just picked it up and started reading when I heard a knock at my door.
I opened the door on the chain, and one of the Aerans was standing there, in a double-breasted trench coat, clutching a briefcase.
‘What do you want?’ I said.
‘I brought money,’ she said, and opened up the briefcase. Sure enough, it had what looked like at least one hundred thousand dollars in it.
‘I don’t need it,’ I said, ‘And I don’t take bribes.’
I closed the door in her face.
‘Alright,’ she said faintly, ‘I’ll see you later.’
I read for about an hour, then went to sleep. I was awoken by someone knocking on my door. Begrudgingly, I got up and looked through the peephole. Standing there, swinging a briefcase from side to side like a pendulum, a duffle bag slung over her shoulder, and wearing a double-breasted trench coat was one of the Aereans.
‘I brought more money,’ she said, ‘Are you gonna let me in?’
I opened the door so I could look her in the face.
‘I thought I told you-’ I started to speak, but she cut me off. She’d shoved a stun gun in my abdomen – it felt like my very bones were vibrating. I fell to the floor and blacked out.
*****
When I woke up, I was in my own kitchen, tied to one of my own chairs. Presumably not with my own rope, as I didn’t keep any in the house. Standing in front of me was one of the Aerans, naked. I started wondering if this was a sex thing, but then realised I hadn’t been stripped.
‘Why are you naked?’ was the only thing I could think of to say.
‘Those clothes weren’t mine,’ the Aeran replied, ‘so I didn’t want to get any blood on them.’
‘What do you want?’
‘Just make me the real Aeran Isis and you’ll go free,’ she said, taking out a large cordless power drill from the duffle bag and spinning it. ‘If not, well, you’ll see.’
‘You don’t have the balls,’ I said.
‘Oh yeah?’ she replied, ‘Just nod when you’re willing to talk.’
She stuffed a handkerchief into my mouth to gag me, then spun the drill and pushed the tip directly into my leg. I instinctively tried to scream in pain, but couldn’t. I nodded my head frantically, knowing it was about to hit bone. She pulled the tip out and then my gag.
‘In the desk drawer, there’s a contract,’ I said, ‘Both of us need to sign it.’
She brought it to me and gave me a pen. I signed, and so did she. She packed up her things, untied me, then covered herself in the trench coat.
‘Just come to the office tomorrow and you’ll be made next in line,’ I said, nursing my leg wound.
‘Alright,’ she said, ‘I’ll see you later.’
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Note: this is not a review. I will not attempt at an unbiased look at this book. Of course I’m biased, I’m a person. I’m simply going to tell you my journey with this book, why I love it, and why I love Chuck Palahniuk’s work.
Recently, I grew dissatisfied with the library at Canterbury Christ Church University. Not enough fiction, especially not by the authors I’m interested in reading (for context, there’s about three floors of books in that library, and only a handful of shelves dedicated to literature on the top floor, the rest is non-fiction). So I decided to visit Canterbury Library (fun fact, Canterbury Cathedral is directly referenced in this book at one point).
I made my way to the typical stops: D in the science fiction section for Philip K Dick, M in the fiction section for either one of the Murakamis, E for Ellis, M for McCarthy, W for Welsh, B for Burgess, and of course, P for Palahniuk. I read five of Chuck Palahniuk’s during my reading renaissance of 2025 and generally consider him to be my favourite author. I own four more of his books – Lullaby, Diary, Rant and Invisible Monsters – but put off reading them due to my disappointment with Snuff. Shock Induction is Palahniuk’s latest book, and took it home out of curiosity after returning Less Than Zero.
To be transparent, I’m not the best reader. I do it a lot, but I can’t do it for hours. It’s rare that I really, truly enjoy a book, beyond my pure curiosity for it. It’s rare that a book can make me feel a real emotion. Two books I’ve read since starting my reading renaissance have been truly hard for me to put down: Battle Royale and Shock Induction. Two books since starting my reading renaissance have brought a tear to my eye: Qualia the Purple and Shock Induction.
It’s probably my favourite book that I’ve read since reading A Clockwork Orange as a teenager, the book that really showed me a real book could be something you could enjoy reading and not just a miserable chore. Similar to A Clockwork Orange, much of Chuck Palahniuk’s writing engages with the reader directly, talking to them as if they were a person instead of being simple narration, Shock Induction going as far to have sections in second person perspective, contain references to the book you’re holding as a physical object, and have instructions for the reader at home.
It’s always difficult to concisely express why I love something. That’s why I don’t write reviews. I imagine no wants to read ten pages of me gushing. In short, it takes the satire and societal critique that Chuck Palahniuk is known for, and updates it for Generation Z. A man who’s been writing since the nineties proves that he never lost touch with the world. It speaks to what I’ve been through, and want you find on the internet, a generation of young adults raised as ‘gifted kids’ then plunged into a world hell-bent on making you feel worthless. Combine this with a genius writing style that explains and then employs hypnotic techniques to put the reader into a trance. Combine this with a mystery plot about multiple seemingly unconnected story threads including the American department of education attempting to tackle the reading crisis, a string of teen suicides, a secretive school for gifted kids and a main character with deadbeat parents who makes herself intentionally deaf with an aspirin overdose. It’s style, it’s characters are all classic Chuck, but it’s put towards such an interesting end I’d call it the highlight of my journey with it.
If any of that interests you, please check it out. Also, go to your local library. Get a library card. You’ll be surprised at what you can find there. What you find might just be your Shock Induction.
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I like to keep note of any dreams I have that I think are particularly noteworthy. Sometimes I write them down, sometimes I just keep note of them by describing them to friends over a messaging app. Lots of art starts out as dreams – Kubla Khan, Twilight, Battle Royale, the whole concept behind the Insane Clown Posse – so I keep them on hand as a bank of ideas. But it’s deeper than this. I love dreams; how real they can feel, paired with how unique they can be, the different things people dream about or the way that people dream. I once had a friend who deliberately deprived himself of sleep believing that sleeping would conjure visions of his ex.
However, whilst fiction inspired by dreams is commonplace, fiction explicitly about or taking place in dreams is rarer. ‘It was all a dream’ is typically seen as a complete cop out. I know of two games entirely about dreams, those being LSD: Dream Emulator and Yume Nikki, but they aren’t like my dreams. They’re all about exploring surreal environments, coming across inhuman creatures and seeing strange sights, whereas my dreams always have people, dialogue and some kind surreal narrative to them. They’re populated by celebrities, people I know and fictional characters. They exist in the brief, blurred flashes everything becomes when you’re extremely drunk.
So, when prompted by a university assignment to make a game in Twine, I decided to string together various dreams I’d had, writing expies of fictional characters and merging their roles together to connect them. The narrative started with a recent dream I’d had, of being in an indentured servitude comedy duo, and spread out into dreams from all across from life.
Play Tobacco Guillotine here!
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